The song's have ridiculous titles that have made me chuckle more than anything, but the whole word displacement like "Nespithe" = "The Spine" and "Erecshyrinol" = "No Lyrics Here" is a pretty cool concept, but it falls face first after such anthems as "The Planet That Once Used to Absorb Flesh in Order to Achieve Divinity and Immortality (Suffocated to the Flesh That It Desired...)". It's like a dreary landscape of an outside universe, and you're traveling through it without any chance of escape as if you were being sucked by a black hole. There are no other bands that have come close to creating something at all similar to what these fine folks in Finland have done, especially on their first full length. Let me just say that he doesn't sound human at all! The sound is still very crisp and enjoyable. Compared to Meshuggah, another technical “groovy” death metal band that blend Fear Factory’s muscular “Stop and go” riffs and hardcore-like attitude a with mix of bouncy rhythms, jazzy chords and lead work. 22.6M . And what atmosphere does the album create, you might ask? It's a work of genius, no less can be said about it. Immolation has especially good soloing, by the way. This album’s booklet encodes the lyrics in a cryptogram. The Echo (Replacement) What it would ultimately take for me to garner an interest in death metal was to see the genre from an entirely different perspective. Demilich are not only explorers and discoverers, but they are also able musicians as well. Every note seems to flow into the next as if written in cosmic stone at the beginning of time and discovered by still primitive humans via some bizarre scientific contraption. The band has made the whole album available for free download from its website, along with demos, rehearsals and live material, due to it getting shafted by Necropolis which didn't pay them royalties for sales of the reissue. Even the lyrics are outright bizarre, starting with Lovecraftian horror and going further left field from there. If I were to listen to this in 1993, then yeah, maybe I'd praise it 100%. I would go through the album giving some sort of a relative description song by song, but I think I lack the words (and the energy) to really capture whatever this album is. I thought John Gallagher of Dying Fetus had the burpiest vocals of all. The drums complement these interesting riffs with spontaneous tempo changes and weird comps. Technical death metal appears to have found some kind of new leese of life recently, with most "promising" new death metal bands having a ridiculously squeaky clean production and having lots of fun playing scales at break-neck speed. The double CD package features new artwork by original Nespithe cover artist Turkka Rantanen, and the classic cover is included as well. Everything about the album is shrouded in obscurity: The winding, atonal guitar melodies, the unpredictable song structures, the ridiculously deep burpy vocals of Antti Boman, the disturbing yet intriguing album cover, the nonsensical song names and lyrics, it’s all made … The solos usually come near the end of the songs and that adds a dramatic effect to them. Death Metal. Seriously, this may seem inaccessible at first, but once you get used to it, you’ll realize how fucking catchy these riffs are! (full disclosure, I use the phrase "completely fucking weird" repeatedly throughout this review, and I stand by the repetition. They're awesome to read. The riffs here are dissonant, yet also fucking catchy. That is an expression more adequately used for something the parts of which would have some appeal of themselves and being put together to something of high quality. Drumming exists to provide some killer groove as they drift into unknown dimensions. The problem is that from a neutral viewpoint, amazing quality aside, it isn't very easy to sell this album to those not familiar with it. It's not very good. Nespithe 14,99 € Classic Adversary T-shirt 15,99 € Logo T-shirt 14,99 € Em9t2ness of van2s1ing / V34ish6ng 0f emptiness 2LP - 1st pressing! I guess its safe to say that Nespithe is the soundtrack to the cosmos. Multiple listens are required to get a good grasp of what it is all about. See how this album was rated and reviewed by the users of AoTY.org. The fact that this is one of the best recordings in the whole of metal, and possibly music itself, remains. The 20th Adversary of Emptiness reproduces a restored Nespithe complete with original art, adds two songs from the 2006 return of Demilich, and then compiles the demos of this formative band. Additionally, the lyrics and song titles add to the eerie feeling of the "thing". Mikko Virnes does an excellent job in playing to the guitarists and never taking attention off of them since the guitars are the main focal point in Nespithe. And You'll Remain... (In Pieces in Nothingness) In other words, this is not the best percussion one can hear in an album, but it is exactly what is needed. The demo works had, as another review put it, a putrid, rotten sound. At this point I begin to wonder if Demilich are even human and not a bunch of exiled aliens because frankly some of the tempo changes have to be heard to be believed. It only took one full-length for Demilich to innovate and, in turn, perfect their brand of alien death metal. Never have I heard such a thing and I doubt I ever will, but you should really check for yourself what I mean. The drum production could have done with a little greater dynamic range, but there’s nothing significant to complain about the way Nespithe has been crafted. It sounds organic, pleasantly murky, and just crisp enough to showcase the technical finesse of the riffs themselves. The mix is seamless. It's halfway good. The drumming on this album is really balanced well. Sure, Scream Bloody Gore and Altars of Madness still earn respect and admiration from contemporary ears (and rightfully so), but they’ve since been trumped in terms of their heaviness and commitment to perversity. In fact, even the double-bass is used somewhat sparingly. 24,99 € – 26,99 € Nespithe LP - 1st pressing! The first seven songs are completely flawless. Hey, whoever said that the abstract realm was a pretty place anyway? Alive AG Nespithe. Genres: Technical Death Metal. It's really a shame that Demilich is no longer around to make more crazy music like this, but then again, that would spoil the novelty of this album, wouldn't it? Cryptworm – Reeking Gunk of Abhorrence (2020) | REVIEW Merging the competitive sport of primitive drop-tuned, filth-choked death grooves with singularly resolved Demilich ian six-angled concepts this Bristol, England stationed death metal duo re-emerge from a complex web of slime and hair with a far more substantive and memorable second EP. If you can find it in you to sit through it and appreciate its uniqueness, you will be greatly rewarded. And just as tenacious as the concerns voiced in the second paragraph were prior to my subsequent indulgence, as swiftly they were washed away by the sheer quality of this album's writing and performance. However he doesn't exactly manage to capture anything truly worthy of mention, and prefers to remain within the background of the musical constrict than credit for an awesome performance as say, Flo Mounier of Cryptopsy would. It's far more radical than that. The first thing that someone will notice upon hearing it is the vocals -- the first thing I thought when I heard it was that the vocalist was the most impressive belcher I had ever heard, though that's actually not the case. While there’s certainly a proper method at work with these riffs, they sound liberated from conventional scales, pairing notes that wouldn’t normally go together. The music really sounds traditional and simple, as if this is just another traditional death metal band. The insanity on here is calculated and deliberate, but never contrived. to create an undercurrent of low end heading off in a different direction wherever necessary. 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