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She perseveres through challenges in life. Having been abandoned by her mother, with whom she has a very complicated relationship, Megan is desperate for attention and affection. The DVD has an interesting commentary by Liz Barbus, whose filmogarphy is also provided. This paradoxical relationship with her parent is evident (Brody & Dwyer, 2016). airs Sundays at 9 p.m. Nevertheless, this is a worthwhile close-up look at two of the troublesome girls who are representative of the problems society faces. "Oprah: Where Are They Now?" Excerpt from Essay : Girlhood juvenile delinquents, Shanae Megan, Waxter Juvenile Facility Maryland. Liz Garbus has made other films about life in prison, such as the Academy Award Winning The Farm: Angola. With the girls going nowhere at Waxter, they were given a new lease on life by changing facilities. Then, everything changed when Megan got pregnant. Press ESC to cancel. Early in the film it is apparent that Shanae doesn't really feel remorseful for the murder of her friend.
FILM REVIEW; A Documentary Illuminates Young Lives at the Crossroads of Her divorced mom moved to the suburbs to get her out of harms way but Shanae, though never arrested, still managed to find again the wrong friends and display bad conduct at home. On Not Rejecting Girlhood: A Conversation with Megan Milks and Marisa Crawford. "Excuse me," she said. Megan, the other young offender continues to practise delinquent . Make sure to answer each of the questions as thoroughly as possible. Documentary chronicling America's justice system. Antoinette does her best in extremely difficult circumstances.
Girlhood (2003) Documentary - YouTube Film Review by Frederic and Mary Ann Brussat After her release, 19-year-old Megan appeared on "The Oprah Winfrey Show" alongside another troubled teen, Shanae. Our managing editor an award-winning journalist has spent the past 7 years refining our roster.
Well, its also said to be on the increase here in Canada. The film opens with the title card, In the United States, during the last decade, the number of young girls committing violent crimes has more than doubled. By entering your email and clicking Sign Up, you're agreeing to let us send you customized marketing messages about us and our advertising partners. I dont think its a right-wing conclusion to say that everyone needs family and that strong families raise strong, healthy, happy children who can grow up to be adults who can contribute positively to our society. Shanae also does well in school finishing fourth in her class. Both of the girls have been in the system for years, Megan has been in and out of juvenile detention centers and foster homes for years and is . She gave birth to a daughter and moved to North Carolina in an effort to start anew. Shaffer, D. R., & Kipp, K. (2010). Filled with a new sense of hope and ambition, Megan got her life together, pursuing an education and focusing on her family. "I started using cocaine, I was strung out on drugs -- bad. Megan, a pretty girl with a devilish gleam in her eye, tries to get by on charm, but she doesn't have Shanae's focus. New York: Psychology Press. Is the Megan inside Waxter the same Megan outside Waxter? But Megan seemed like a lost cause as her pleas for love go unanswered and her unchanged bad behavior goes unchecked, as she gets into a verbal spat with mom and splits. Thankfully, her parents point out that being dead is definitely WORSE than being in detention! When she originally returned to Baltimore, Megan's life went downhill. Megan is 16 and is in Waxter for Assault with a deadly weapon. Furthermore, at the end of the documentary, she enrolls in a community college nearby. From there she enrolls in high school, where she places fourth in her class, and plans to attend a community college. Megan is 16 and is in Waxter for Assault with a deadly weapon. Megan on the other hand, has a more difficult time staying out of trouble and maintaining good grades. Shanae even overcomes the death of her mom three months later from a heart attack and goes on to graduate from a public high school and enroll in a community college. Of the two only Shanae receives that nurturing, and it seems to make all the difference. The girls have traumatic experiences that affect their relationship with others. Once Shanae begins to face the reality of what she did, she is transferred to a group home and begins to flourish. So the films have been very organically connected. This time around, she focuses her attention on two young women in Waxter Juvenile Facility near Baltimore, Maryland. Is it maternal nurturing that makes the difference? I remember being struck at the end of the film that one of the staff at Waxter came to Shanaes home to congratulate her on graduating and see her off to the prom. The girls the film follows for three years are Shanae and Megan, as the film begins in 1999. All rights reserved. Begin typing your search term above and press enter to search. In Garbus version of their lives, these experiences do not bring them down. They emerge triumphant; their girlhood, we end up hoping, will be salvaged. LA Times reviewer Manohla Dargis notes, Garbus obsession with levity ultimately triumphs, leaving us with an unfinished picture: [T]o turn complex and contradictory lives into palatable narratives, is one of the least-examined pitfalls in nonfiction filmmaking. Like Us On Facebook | Follow Us On Twitter. http://www.hollywoodreporter.com/news/girlhood-subjects-get-narrative-feature-829762 Second, she is distressed when her mother leaves. Megan, a pretty girl with a devilish gleam in her eye, tries to get by on charm, but she doesn't have Shanae's focus. The difference between one girl supposedly climbing out of her bad situation and the other continuing in her dead-end path, is seen as a matter of good parenting and a child willing to change her bad ways. Having been abandoned by her mother, with whom she has a very complicated relationship, Megan is desperate for attention and affection. As the documentary end, it is clear that Megan is afraid to trust others. Megan had given up, and even ended up back in jail. The film pivots from the girls to their relationships with their moms, as Garbus follows their development from girls into young ladies. As you watch it, you wish the film would fill in more of each girl's background. See production, box office & company info. The domain that best explains Megans attachment issues is the ambivalent/resistant attachment. Enter your email address to follow this blog and receive notifications of new posts by email. New York: Cengage Learning. The relationship between staff and the young girls is also essential to how the girls grow and move forward with their lives. In the second segment, she runs away from foster homes to try to live with her mother. Additionally, the film has also been criticized for ignoring the workers at Waxter. To come to those safe conclusions is something that no one in their right mind would argue, but it really doesnt get to the heart of what has gone wrong in this affluent country that has so many children in trouble with the Man. But not everyone has families like this. The protagonists are Shanae Owens and Megan Jensen. This led to a pregnancy at the age of 11 which her mother arranged for her to have terminated because it was feared that because of Shanaes heavy-drinking the baby would have fetal alcohol syndrome. The film, however, makes Shanae and Megans girlhoods into victory stories when, instead, they are something much more complex. Miriam has proven to have an incredibly strong voice when it comes to tackling tough, timely and complex stories that often take place in urban settings but resonate far and wide, Fawcett said. 1103 Words. Megan grew up without the love and support of her mother who was in prison for drugs and prostitution.
REVIEW: GIRLHOOD Documentary On Netflix - WordPress.com But its staff emerges as a caring if overstressed group of people who do what they can to steer the girls in their charge toward a productive life. Shanae and Megans girlhoods contain all that which other parts of life contain, and to think of Garbus idea of girlhood as winning at the end of the film is short-sighted and perhaps fails to move forward with Girlhood Studies attention to complexity and fullness (including pain) of this part of life for her subjects. Girl Hood was released in 2003 and since then has won many awards. Shanae moves into a lower security halfway house because her mother does not feel ready to take her back home. The primary objective of the film is an exploration into the social implications for the increase of crime committed by young women such as Shanae and Megan. With its drab green walls and sparse furnishings, Waxter is no country club. We are introduced to them while they are incarcerated in Waxter Juvenile Detention Center, just outside of Baltimore, Maryland. Shanae shows certain resilience characteristics that help her reform her life. Wake up to the day's most important news. At the Quad Cinema, 34 West 13th Street, Greenwich Village. One of the most educational parts of the film I felt was the example set by Antoinette. As a subscriber, you have 10 gift articles to give each month. We wont be able to verify your ticket today, but its great to know for the future.
At the opening of the film girlhood by Liz Garbus, viewers are informed that the rates of young girls being charged with violent crimes is on the increase in the United States. Mary Celeste Kearney writes that in approaching girlhood, sociological research, interestingly, often focused on female juvenile delinquency. In recent years, however, Girlhood Studies has grown to include and account for multiple narratives of girlhood, and actively attempts not to make girlhood inferior to womanhood, or take it less seriously. The documentary follows the plight of Megan and Shanae (Garbus, 2003). I have three lovely kids," she says. But if the viewer pays close attention to the film and Liz Garbus commentary we learn that Shanaes mother was a single parent working two jobs trying to support Shanae and move her family out of the projects. However, after the collective effort from her mother and rehabilitation officers, she becomes emotionally expressive. The film left me with mixed feelings about the girls who crave love but seem so self-absorbed that they show so little concern for anyone else not in their radar, as I questioned what kind of punishment should there be for girls who commit violent crimes. At first, Shanae shows no remorse over killing another human being, but gradually she takes a hard look at what she did and is sorry. Shanaes development has been disrupted. Megan's mother was a drug-addled prostitute, and after being placed in, and escaping from, nearly a dozen foster homes, Megan committed a violent crime. One perspective on the film Girl Hood is that it is a highly informative documentary film in which the director does a spectacular job revealing to the world the issues young women such as Megan and Shanae face on a daily basis. she has come a long way from this documentry i love and am so proud of my sistrr.
'Girlhood' Subjects to Get Narrative Feature Remake (Exclusive) This documentary really touched me and made me so much more grateful for my environment and support. In Garbus film, Shanae and Megans girlhood set up a dichotomy: girlhood is good, everything else threatening, extraneous and intrusive, instead of part of the story of girlhood itself. Brody, R., & Dwyer, D. (2016). Shanae was ten years old when she was gang-raped by five boys. By what name was Girlhood (2003) officially released in Canada in English? http://www.latimes.com/archives/la-xpm-2003-nov-14-et-girlhood14-story.html, http://www.nytimes.com/2003/10/29/movies/film-review-documentary-illuminates-young-lives-crossroads-redemption.html, http://www.hollywoodreporter.com/news/girlhood-subjects-get-narrative-feature-829762, http://sites.google.com/view/ehdwjwbxfu/linkedlist-member-modification-c, this dissertation provides a compelling argument. We also met Megan, who, unlike Shanae, was not at the . Obviously, the director, Liz Garbus, wants to achieve in a documentary the power and. Early in the film it is apparent that Shanae doesnt really feel remorseful for the murder of her friend. However, her mother is a struggling drug addict who is unable to offer the care and support that she required. Liz Garbus made The Farm: Angola, USA in 1998, a riveting documentary about six men in a Louisiana penitentiary; it was nominated for an Academy Award. Garbus remarks that the structure within Waxter allows the girls to actually be girls. Megan, the more unruly of the two is a little older than Shanae. Spirituality & Practice. ET on OWN. Humanizing those who have committed crimes especially children is a good thing to do, and certainly expands the viewers capacity to embrace complicated narratives and emotions. Garbus interest in and empathy for her subjects and, more importantly, the way in which she relays their girlhood, makes for an entertaining and emotional documentary, but perhaps an incomplete one. Megan admits that when she leaves Waxter she will only be going back to another foster home. "I decided to change some of my ways because I didn't want the system raising my child," she says. http://www.latimes.com/archives/la-xpm-2003-nov-14-et-girlhood14-story.html This film is not rated.
Girlhood Essay | Bartleby This comment is echoed by Mr. Godsey, a staff at the facility, who states in the film that although the girls dont like structure they need it because they havent had it at home. Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, t. Megan's mother was a drug-addled prostitute, and after being placed in, and escaping from, nearly a dozen foster homes, Megan committed a violent crime. Girl Hood is a documentary film directed and produced by Liz Garbus that follows two teenage girls, Shanae and Megan, over the span of three years, from the time they are in the all-girls juvenile detention center at Thomas J.S Waxter Childrens Center in Laurel, Maryland, to when they are out in the real world. So the question is to what degree do we all have to support children whose families cant? During this scene Megan whines that nobody loves her, she seems to be half joking but one has to wonder. Shanae was raped by five teenagers when she was eleven and then was arrested and convicted for stabbing a friend to death with a knife when she was twelve. Shanae's reentry into society was easy, and she does not seem to be struggling in any way. Girlhood was shown at the 2003 Tribeca Film Festival and at the South by Southwest Film Festival, where it won the Audience Award. That was 11 years ago. Megan professes a love for her absentee and irresponsible mother, but does not receive the same support that Shanae gets from her more caring mom. The title of the film is overly simple and, to an extent, revealing in its simplicity. ~ (Source: Josh Ralske, All Movie Guide). Interviews. An alternate perspective of Girl Hood is that it is a film that tries too hard to achieve an ending on a positive note. On the other hand, Girl Hood creates an uncomfortable comparison between Shanae and Megan and their relationship with their mothers. Once Shanae begins to face the reality of what she did, she is transferred to a group home and begins to flourish. Most of these reasons were actually some of the primary themes in Liz Garbus' documentary Girlhood, which followes the lives of these young women for three years from the . Assignment #2 In class we viewed documentary titled Girlhood, the film surrounded two teenage girls named Megan and Shanae.
Girlhood: The Theories Of Aggression And Violence | Studymode In the documentary Girlhood, Liz Garbus follows two young women who have encountered numerous misfortunes in the past that led them to implement their violent offences. Even though there is an intense argument, after she tells her mother never to talk to her again, she has a nervous breakdown (Garbus, 2003). She angrily lashes out at the girl, but shows no remorse when she finds out that she died. The system essentially gives up on trying to control her and turns her loose to fend for herself. A lot of this seems due in part to her mother Antoinettes support. In the movie, we were able to watch two female offenders in the juvenile justice system. The title Girlhood splits in two on the opening credits, with "girl" and "hood" on separate lines. Throughout the film, we are sympathetic to the challenges of Shanae and Megans girlhoods, but cannot substantively grasp, through the documentary, the unresolved nature of their status, as girls in a system that seeks to destroy not just girlhood, but life beyond girlhood too.