Notice the more even high-end response on the KSM8 and lower sensitivity to bass frequencies. Pro-level mics often dont have on/off switches, because it make it less likely that the singer will accidentally turn off the mic mid performance. The Shure KSM8 Dualdyne Microphone is the world's first handheld dual-diaphragm dynamic microphone, designed for professional vocal applications in live sound and studio environments. OK, thats a very bold marketing claim, but actually, I dont think theyve over-hyped it. This translates to greatly reduced level and tonality changes and less need to compress or EQ the mic in the FOH mixer, even if the users mic technique is less than perfect! Every KSM9 I've seen has been switchable between cardioid and supercardioid. The KSM8 mic is supplied in high-quality rigid protective case with zip closure, and comes with a 'soft-flex' stand adaptor clip and 5/8-inch thread adaptor. No one has been able to do that before now, and Shure proudly describe it as The most significant dynamic microphone technology advancement the industry has seen in more than 50 years.. But this mic is well constructed, and perfect for live performances which require that superior condenser sound. A supercardioid pattern is a little tighter around the mic, picking up sound around 57 degrees each side of the mic. A very similar mic to the KSM9. The benefits of this complicated and expensive approach include a very smooth frequency response with an unusually wide (for the day) bandwidth, a very uniform cardioid polar pattern with negligible off-axis colouration, and the complete elimination of proximity effect. The Neumann KMS 105 microphone is the choice for professionals who demand excellence in their recordings. It is a handheld condenser with a switchable polar pattern between cardioid and supercardioid. Sandusky, MI, United States (26) SHURE KSM9/CG/ https://www.Sweetwater.com/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o. The KSM9 from Shure Inc. of Niles, IL originally debuted as the microphone part of the high end UR24S/KSM9 wireless system. A dual-diaphragm design helps to reduce the proximity effect, and evens out the frequency response throughout the vocal range. In practical terms, working the microphone in the normal way exhibits a far more consistent and balanced sound than would be experienced with, say, an SM58, which can go from distinctly boomy to noticeably thin with only the smallest of positional changes. Exclusive deals, delivered straight to your inbox. Patent Notice: Patent Des. They must maintain this distance in order to avoid variations in tone. This makes it ideal for recording vocals or instruments in a studio setting. Itmaintains a great accuracy at higher freqs (where other mics err), and even those high-pitched harmonics sound so much natural! The standard voltage for phantom power is 48 V DC. Developing the Source Code" that connects business strategy and customer insights to brand essence and product experience. The dent-resistant mesh grille is constructed from a hardened carbon-steel wire and permanently lined with a hydrophobic fabric. The electronic circuit is maybe complex but it doesnt utilize any vulnerable components (such as triodes, crystal oscillators, etc.) Its certainly worth testing them yourself if you can, but for my money the Shure has a slightly brighter, clearer sound through the high mids and top end. In contrast, the dual-diaphragm capsule achieves a superior cardioid polar response and on-axis frequency response for close (nearfield) sources. There are several actions that could trigger this block including submitting a certain word or phrase, a SQL command or malformed data. . More videos like Shure KSM8 vs. KSM9 | Whats the Difference? The KSM9HS is a new premium stage vocal microphone, based on the design and success of the KSM9. She owns a EW 115, perhaps I could just upgrade the capsule? Though many singers and softer styles of music will benefit from the extra detail and clarity of a condenser. Pressure-operated capsules have no proximity effect at all, of course, and consequently the dual-diaphragm capsule has a greatly reduced proximity effect for very close low-frequency sound sources. Your email, has been entered to win this giveaway. Thats a tough one. Artists seen using the Shure KSM9 include Neil Tennant, Damien Rice and Serge Tankian. This is wider than most handheld dynamic mics, and is one of the main perks of using a condenser mic. High sensitivity condenser mics are very good at picking up detail (both close-up and at a distance). Best for: Small touring applications, classrooms, office meetings, or fitness instructors on the go. Shure KSM9 Shop now at Amazon. More videos like Shure KSM8 vs. KSM9 | What's the Difference? However the KSM9 is noticeably cleaner and brighter. Internal shock mount and capsule stabilization mean minimal handling noise. At the low end, a small amount of proximity effect is apparent if the source is closer than about 25mm (one inch), but between 25-75mm (one to three inches) the response is well balanced and very consistent. Elegantly crafted products that are simple, useful, and desirable. This website is using a security service to protect itself from online attacks. Shure Product Manager, John Born, was one of the small development team that worked on the KSM8 project. I own a SM7b and want a mic with similar quality for when I feel like holding the mic and being free. As a condenser mic, the Shure KSM9 requires phantom power. For example, AKG developed their D200 range of two-way or dual-capsule microphones in the late 1960s. They both have their own advantages and disadvantages, so its important to choose the right one for your needs. This is to stop little bursts of air causing bassy pops on your studio recordings. Its worth noting that the E965 is a bit cheaper than the KSM9. England and Wales company registration number 2008885. Future Publishing Limited Quay House, The Ambury, It offers a natural, open sound, with a very balanced low-end, beautifully smoothmidrange and brillianthighs. It also helps to counteract the proximity effect. Virtual elimination of proximity effect allows a much larger working range, which translates into a far more consistent sound regardless of mic technique (or its absence!). BLXShure Quality at an Affordable Price for Basic Setups: $299. Re: Shure Beta 87c Vs. KSM9. Shure KSM9/CG Dual-Pattern Condenser Handheld Vocal Microphone. In the low range, we see a very gentle roll-off from 500Hz and below, with a sharper curve below 100Hz. With seven years of R&D costs to recover and some very advanced engineering, this mic is inevitably expensive in comparison to conventional moving-coil stage mics. Performance & security by Cloudflare. The KSM8 is unique in being a dual-diaphragm, moving-coil stage vocal mic. Building on a technology that Shure first introduced in 1966 with the Unidyne III capsules used in SM57s and SM58s, the KSM8s pneumatic shockmount sits below the Dualdyne capsule to decouple it from the microphone body, thereby minimising low-frequency handling noise. Sound Magic Blue Grand, 2 Steinway grand pianos collection, Crackling / Popping Noise on XLR Microphone, Roger Linn teaches "Designing Physical Interfaces for Music". Balancing bullet-proof reliability, technical sophistication and dynamic stage ready appearance. 5/8" to 3/8" (Euro) Threaded Adapter. Good Luck! I was hoping to get a few opinions on these microphones. At the bottom of the KSM8s capsule is a second passive diaphragm, which is there to seal the rear chamber and its internal acoustic labyrinth. For a better experience, please enable JavaScript in your browser before proceeding. And lets hope youre not positioned next to the drum kit! A85WS Black foam windscreen for KSM8, SM58, SM86, SM87A, Beta 87A and Beta 87C A25E Black, Soft-flex Swivel Adapter for KSM8 and KSM9 RPM266 Black replacement grille for KSM8 wired and wireless RPM268 Brushed Nickel replacement grille for KSM8 wired and wireless. Additionally, the KSM9 has a built-in shock mount that helps to reduce noise from vibration, making it ideal for use with high-end instruments. I work with a female vocalist who is looking to upgrade her microphone. I am pretty familiar with the 87c, I like it a lot and it seems to be smooth and consistant. Always hold the vocal mic by the main body, and if theres too much sibilance, try holding it slightly to the side. It offers a natural, open sound, with a very balanced low-end, beautifully smooth midrange and brilliant highs. But with solid construction, the mic feels nice and sturdy to hold, without feeling overly large. Taking its inspiration from Shure's classic Unidyne III capsule (that's the one used in the SM57, SM58 and others), this newly developed capsule aims to reduce the proximity effect, improve off-axis frequency response and rejection, and deliver . When you have other instruments in close proximity and you just want the sound of the voice, its best to sing or speak directly into the mic. Show details. The overall off-axis response is very smooth, and although the pick-up pattern is at the broader end of cardioid, theres pretty good rear rejection, particularly noticeable in the midrange frequencies. Brand New. The capsule technology inside the KSM8 has been christened Dualdyne, in keeping with their familiar Unidyne product range terminology and in obvious reference to the use of two diaphragms. A Sweetwater Sales Engineer will get back to you shortly. All in all the KSM9 has a durable, carefully considered design. The Shure KSM9 is a great choice as a live mic. Electro-Voices product range now includes several Variable-D mics although the most iconic and recognisable is undoubtedly the RE20. Where you hold the microphone in relation to your mouth can make a big difference in sound. This moisture-resistant cloth protects the cartridge while providing superior pop protection, ensuring years of usability and durability. Taking its inspiration from Shures classic Unidyne III capsule (thats the one used in the SM57, SM58 and others), this newly developed capsule aims to reduce the proximity effect, improve off-axis frequency response and rejection, and deliver a more consistent polar pattern. Live sound engineers often use signal processing, like equalization, to mitigate both the proximity effect of traditional microphones or to compensate for improper microphone technique (such as when a performer covers the grille with their hand). A built in high pass filter on the KMS105 ensures the mic doesnt suffer too much from the proximity effect, although Id say the KSM9 is slightly better at feedback rejection. For more aggressive styles like metal, technically youll still get a betterquality vocal, but among those loud and heavy guitar riff sounds you may probably not be able to notice the difference. Theres nothing quite like knowing your audience are listening to a high quality sound. Theyre balanced, which means the cables are shielded from interference and carry a higher signal than unbalanced cables. SHURE KSM9/CGShure118800! Side spill doesnt suffer excessive coloration, and the amount of rearward rejection is impressive and unusually clean. A crossover at 500Hz combines the two capsule outputs to produce the final signal, much like a two-way speaker working in reverse! They both come with a built-in shock mount and are able to handle high volume levels. AKG C414 The Ultimate Comparison: XLS vs XLII vs B-ULS vs EB, Re: The Behringer Keyboards 'n' Stuff Thread #3, Re: Mic Question M300 vs MKH 8040 or alternative. Read Also >>USB VS 3.5mm MicrophoneUHF vs VHF wireless microphone systemsRode NTK vs. K2 MicrophoneNeewer NW 700 vs. Neewer NW 800Sennheiser e935 vs e945 Microphone Comparison. Handling noise is extremely low and never gave any problems, even when I was deliberately trying to be clumsy! A premium-range handheld condenser vocal mic with a clear and authentic sound. We are excited to continue our mission and build the next dynamic design and innovation team that can envision, shape and create new growth platforms for the ambitious. MA 02210. The KSM8 Dualdyne features a patented cartridge design with two ultra-thin diaphragms and groundbreaking reverse airflow technology. DUAL DIAPHRAGM TECH. Beta 87A on UHF-R Wireless. . He specializes in literature and creative writing, with a focus on fiction. This mic is highly dynamic and nuanced, making it the perfect mic for intimate folk, jazz or spoken word performances. These marks may be registered in other jurisdictions. The cardioid capacitor microphone was conceived in 1935 by Dr Hans Joachim von Braunmhl and Dr Walter Weber, both working for the Reichsrundfunk Gesellschaft (RRG Electroacoustic Laboratories) in Germany during the early 1930s. It also helps to minimise high-frequency handling noise. SHOCKSTOPPER is a trademark of Shure Incorporated in the United States. Go for the shorter lengths where possible. Engineering products to address all technical and business criteria and solve the most difficult design problems through integrated mechanical, electrical, software and firmware solutions. Thank you for selecting the KSM series from Shure. I wasnt able to try the KSM8 in a live stage situation, but I did compare it directly with both a Shure Beta 58 dynamic and SM87A capacitor stage mic in the studio. The KSM9 uses an XLR cable to connect directly to the audio interface or mixer. I cant hide my enthusiasm about the Shure KSM9 its a great live mic. Its unique capsule gives the KSM8 a cardioid polar pattern that is unusually uniform across the frequency spectrum. At first glance it looks just like any other conventional stage vocal mic there's nothing in its styling that signposts the clever technology within. This provides a clean and transparent sound, while generating a little more heat than other designs. It features a cast aluminium handle, solid construction, and comes in two colours: charcoal or champagne. But on closer inspection, each mic has their own distinct but subtle character. Because more aspects of life and work are mediated through technology, we design multi-channel digital solutions that create seamless user experiences. Achieving the sound quality demanded by elite performers and venues no longer requires sacrificing the rugged reliability of a dynamic microphone. 2:46 Shure KSM8 Only I've heard from several FOH pals that the KSM9 and KMS104/105 are sonically very much in the same ballpark. Win a TB-03 and TR-06 from Roland. . Dynamic mics are particularly suited to live and stage use. What else do you need for your home recording studio? They even look similar, with tapered handles and squareish divided metal grilles. 71 user ratings. Many singers love its ribbon-like feel, and although it may turn out beneficial for screaming or growling with a metal band, in your case, for a clean vocal you may need a brighter mic, so that it can cut through a dense mix more easily, such as KSM9, which also offers supercardioid mode for improved rejection, as long as you fix it on a stand and dont move around much. The lows are being naturally rolled off to avoid that unwanted mud and boominess. How vulnerable are these mics to dropping on the stage? But for noisy stage environments, a supercardioid pattern does a better job of rejecting noise from monitors and other instruments. Whereas condenser mics are active meaning they need something called power phantom power. Free Shipping. Cloudflare Ray ID: 7a2dba687d4fa3ab This is like having two mics in one, and is a real bonus. Geeksper.com is the blog site where you can get well-researched microphone reviews, microphone buying guides, and everything related to microphones. However, the weight of the coil limits how responsive the mic can be, and it tends to struggle to replicate high frequencies and dynamic detail. Taken all together, these attributes should combine to make the KSM8 a joy to work with on stage, minimising the need for aggressive EQ or dynamic manipulation. This model is renowned and remains a favorite choice of many musicians. But a supercardioid pattern would be better when recording a full band in a single room. Enter the KSM9, a new handheld condenser microphone developed for high end live sound usage. The KSM8 mic is supplied in high-quality rigid protective case with zip closure, and comes with a soft-flex stand adaptor clip and 5/8-inch thread adaptor. In the studio, a cardioid mic is probably all you need in a well-isolated vocal booth. This ensures a smooth transfer of the signal from the microphone to the pre-amp, without any loss of signal quality. 27 Wormwood St This can really work well for folk, jazz and classical styles. Theyre probably best-known for their affordable handheld dynamic stage microphones. Shure describe this arrangement as a reverse airflow technology, and although the pneumatic shockmount was patented over 50 years ago, they claim that no other manufacturer has implemented it successfully. 5 stars: 28 %: 4 stars: We have both b87c and b87a capsules for our handhelds too, but these don't see anywhere near as much use. Save my name, email, and website in this browser for the next time I comment. http://cdn.shure.com/publication/upload/340/pdf_ea_dual_diaphragm_mics.pdf, Win! As does the KSM9, the HS employs a dual-diaphragm, prepolarized, 3/4-inch capsule . This mic offers dynamic lows, balanced mids and sparkling highs. The switch is under the grille. The Shure KSM9 is a high-quality condenser microphone that is designed for live performances. and if so what are your opinions. A dynamic microphone revolution that only Shure could stage. This protects the diaphragm and capsule from harm, and reduces handling noise and stage vibrations. 3:06 Shure KSM9 Only Mic stands reduce any handling noise in the studio. It has a sumptuous rich low end that isnt overpowering, smooth mids, and sparkling fizzy high notes. New Loops Releases 'Twin 3 Pro Expansion' 30% off intro discount! The grille interior is lined with a hydrophobic woven fabric. The microphones sensitivity is given as 1.85mV/Pa, which is comparable with most other stage mics an SM58 has a sensitivity of 1.88mV/Pa, for example, making it less than 0.2dB louder. Shure are one of the industry leaders in vocal microphones. The Shure KSM9 is a well-known professional audio microphone, and the Neumann KMS 105 is a popular choice for home recording enthusiasts. An interesting side-note here is that Ben Bauer, working at Shure in the mid-1930s, developed a broadly similar acoustic labyrinth concept based on Braunmhl-Webers work for a single-capsule moving-coil cardioid mic. In effect, the passive diaphragms compliance acts to partially block or impede low frequencies from reaching the rear of the front diaphragm, thus altering the net pressure acting on the active diaphragm in a frequency-dependent way. American Standard Pitch Notation, a true work of evil. From a practical perspective, with virtually no proximity effect the on-axis sound character doesnt change with source distance, so the performer enjoys a much larger and more consistent sweet spot. This extended high range will give your vocals that extra sparkle and clarity, and a more open authentic sound. The "C" version is the best of the 87 lot for female vocals in my experience and I think the KSM9 is a huge improvement over it. Comparison of Shure KSM9 and Shure SM58 based on specifications, reviews and ratings. So, are there any downsides? Their ability to reproduce sound so accurately is why they tend to be used in studio recording. It has a 40 to 16000 Hz frequency response, a 300 output impedance, and a sensitivity of -51.5 dBV/Pa (1.85 mV) at 1 kHz, open circuit. KSM9 is a top line mic and I assure you its pretty tough the capsule is well protected, and if dropped, the internal suspension can easily handle the shock. The Shure KSM9 is also a great microphone, also it may be less expensive than the Neumann KMS105. A loud metal band might struggle with the increased sensitivity of a condenser, and a raucous singer might push the limits of the mic. It is the successor to the popular KSM8, and it offers several improvements over its predecessor. Singers with quieter voices will find that a live condenser mic can better convey the emotion and intimacy of their performances. the Telefunken M80). Sound enters the microphone via the side entry inlets and passes through the rear second diaphragm before striking the front diaphragm. New Release: EDM Expanse (Construction Kits). PR35 has a lot of fans. Theyll deliver a higher quality sound than dynamic mics. In my opinion, if budget allows, stretch to a KSM9. The polar response also behaves differently with both frequency and source distance. This pneumatic shockmount employs tuned and damped cavities which are effectively pressurised by the sound waves which pass through the rear of the capsule and are then guided down into the shockmount itself. In a directional microphone, sound waves are generally directed towards the rear of the diaphragm through an acoustic labyrinth, which effectively introduces an audio delay. KSM9 picks up too much stage wash. AE5400, KSM9, VX10, and PR22 do as well. Crucially for a live condenser, theres also a suspension shock mount. My contacts at Shure were reticent to consider creating a competing product for the venerable SM58 and the newer Beta 58A. A premium condenser vocal microphone, the KSM9 captures vocal subtlety with extraordinary detail for live performance. This is, of course, complete nonsense: new developments are still appearing quite regularly, bringing substantial improvements in quality and accuracy, reliability or manufacturing costs. The high end of the voice comes over with a smooth, neutral aspect, free from the almost resonant peakiness that most stage vocal mics deliver. One distinctive advantage of Shure KSM9 is that it is quite less sensitive than Neumann KMS 105. It has a warm sound that is perfect for female vocals or mellow tracks. The KSM9 has a dual-diaphragm design that provides accurate sound reproduction, and it also features a built-in shock mount to reduce noise and vibration. On first listen, the two mics have a similarly clear and transparent sound. All you need to know about wireless microphones. Its one of those things that comes down to personal taste. Off-axis frequency response is very smooth. For a more natural, balanced sound, hold the mic between 5 and 10 cm away from your mouth. There are many great microphones on the market, but two of the most popular are the Neumann KMS 105 and Shure KSM9. Ive heard sales reps say that the KSM8 is better than a lot of condensors out there so presumably Im buying quality with the 8 but still lean towards the 9 since I want to get most out of my live sound.. How ever since my genre is pretty heavy what is your experiance with the feedback rejection on louder stages with the KSM9 VS the quality of the KSM8.. Will the difference in sound quality (depending on EQ + sound guy ofc) by noticable between the 8 and 9? The Neumann kms 105, on the other hand, is a more affordable option that still provides great sound quality. This mic has a very flat and even range through the mids, before gently climbing through the high range from about 3kHz. Together we are over 500 exceptionally creative and talented specialists working from design studios, research labs, and engineering centers across Europe and the US. KSM8/B: Superior dual-diaphragm dynamic microphone with a black finish. KSM8 in Nickel (G50) KSM8 in Black (G50) KSM9HS (G50) SM87 (G50) SM86 (G50) And don't forget about the optional SB900A rechargeable lithium-ion batteries . Shure has taken dynamic microphone technology and performance to a groundbreaking new level with the development of the premium KSM8 Dualdyne. The downside is that the KSM9 seems to pick up everything on stage.. but it doesn't color them, so doing some additive mixing, using the mic bleed as the foundation, works fairly well. What's the problem with your 58? Please include what you were doing when this page came up and the Cloudflare Ray ID found at the bottom of this page. It has a cardioid pickup pattern, which means that it picks up sound from in front of the mic and rejects sound from the sides and rear. All contents copyright SOS Publications Group and/or its licensors, 1985-2023. Features. The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. This makes it almost identical in size to Shures KSM9 capacitor stage vocal mic. The Shure KSM8 Dualdyne Microphone is the worlds first handheld dual-diaphragm dynamic microphone, designed for professional vocal applications in live sound and studio environments. And crucial for live use, the built-in advanced suspension shock mount offers good insulation from handling noise and rumble. Are some types more durable than other similar in the live performance category? On stage, the wider cardioid pattern is more suited to singers who move around the mic a bit more. In this blog post, we will discuss the comparison between Neumann kms 105 vs Shure KSM9, which one is best for you and why should you buy it. Our team combines the holistic capabilities of researchers, designers, and engineers to craft and deliver solutions that align technical possibilities, market realities, and the needs and goals of people. With its unique dual-diaphragm design, is Shures latest offering the greatest advance in dynamic mic technology since the Unidyne? Shure KSM9. If you want your live vocals to be closer to your refined studio sound, then this is where a good handheld condenser comes in. XLR Male to Male, CableCreation [5-Pack] XLR 3 Pin Male to 3 Pin Male Microphone Line Adapter. Varying the labyrinth delay time slightly leads to other directional patterns, such as hyper- and super-cardioid, where the null angles are offset either side of the rear axis at 110 degrees and 126 degrees, respectively. Don't Let Dirty Power Ruin Your Recordings. While the KSM9 offered Cardioid and Supercardioid patterns, the KSM9HS offers Hypercardioid and Subcardioid (wide cardioid), selectable via a switch under the grille. Zippered Carrying Case for KSM8. In my experience the KSM8 is a more hi-fi-sounding mic. As expected from professional equipment, youll get that superior quality and low noise levels. Condenser mics are more often found in the studio, where they have the ability to capture small dynamic changes and high-frequency detail.