Kathak is characterized by intricate footwork and precise rhythmic patterns that the dancer articulates by controlling about 100 ankle bells. It originated in the Southern Indian state of Kerala during the late 16th century, approximately between 1555 to 1605 AD. It has been described as a true representation of the artistic traditions of India and one of the most magnificent theatres of the imagination. Modern performances are shorter. Brief History of Kathakali . [65], The Kalluvazhi style is second of the two, which developed in Palakkad (Olappamanna Mana) in central Kerala,[66] and it is a synthesis of the older Kaplingadan and Kalladikkotan performance arts. Kathakali is based on religious themes. [31][32], A Kathakalī repertoire is an operatic performance where an ancient story is playfully dramatized. Kathakali is a highly stylized classical Indian dance drama which originated in Kerala. A picture of the same has been provided below. It is performed by both men and women who dance gracefully with the accompaniment of an instrument known as timki. [33], The stage is mostly bare, or with a few drama-related items. Kathakali (literally, story play), the spectacular classical dance drama of Kerala based on the guidelines laid by Sage Bharatha's Natya Sastra, the ancient treatise on dance and drama, is over 500 years old. [24] Kathakali also expanded the performance repertoire, style and standardized the costume making it easier for the audience to understand the various performances and new plays. The Shlokas are in Sanskrit and describe the action in the scene, while Padams are dialogues in Malayalam (Sanskritized) for the actors to interpret and play. The word "attam" means enactment. They typically deal with the Mahabarat, the Ramayana and the ancient scriptures known as the Puranas. (2008). For example, anger is expressed by the use of sharp high voice and pleading is expressed by the use of a tired tone. The art of Kathakali is older than its literature which is about four centuries old. Their efforts were concentrated on the rituals, classical details and scriptural perfection. For example, the Japanese Noh (能) integrates masks, costumes and various props in a dance-based performance, requiring highly trained actors and musicians. History & Evolution The roots of this dance form trace back to Sanskrit Hindu text on performing arts called ‘Natya Shastra’ written by ancient Indian theatrologist and musicologist Bharata Muni. Kathakali (Malayalam: കഥകളി) is a major form of classical Indian dance. And a dilution of a classical art means it is leading towards death." [25] Kathakali also incorporates several elements from other traditional and ritualistic art forms like Mudiyettu, Theyyam and Padayani besides folk arts such as Porattu Nadakam that shares ideas with the Tamil Therukoothu tradition. Origin and History of Kathakali. 1, Rosen Publishing, M Innes-Brown and S Chatterjee (1999), The Relevance of the Guna Theory in the Congruence of Eastern Values and Western Management Practice, Journal of Human Values, 5(2), pages 93-102. [60], Kathakalī is still practiced in its Traditional ways and there are experimental plays based on European classics and Shakespeare's plays. [57] These plays are sophisticated literary works, states Zarrilli, and only five authors have written more than two plays. Modern performances with microphone and speakers sometimes position the vocalists in the back. The Kathakali dance has a rich, long tradition, which formed in the 17th century. It is known for its large, elaborate makeup and costumes. Three major drums found are Maddalam(barrel-shaped),Chenda(cylindrical drum played with curved sticks) and Idakka ( Idakka , hourglass-shaped drum with muted and melodious notes played when female characters perform). Several factors have contributed to its popularity. Kathakali traditionally has been troupes of predominantly male actor-dancers, who dress up as hero, heroines, gods, goddesses, demons, demonesses, priests, animals and daily life characters. [28][30] These plays are written in a particular format that helps identify the "action" and the "dialogue" parts of the performance. Kathakali dance form is one of the oldest theater forms in … [69] In modern times, professional schools train students of Kathakali, with some such as those in Trivandrum Margi school emphasizing a single teacher for various courses, while others such as the Kerala Kalamandalam school wherein students learn subjects from different teachers. Typically, his four plays are performed on four nights, and they relate to the mythical Hindu love story of Nala and Damayanti. History of Kathakali is deep rooted in the culture of Kerala and dates back to the Dravidian ages. History of Kathakali Dance. Jones and Ryan state it is more than 500 years old. Some major musical patterns, according to Clifford and Betty, that go with the moods and content of the scene are: Chempada (most common and default that applies to a range of moods, in battles and fights between good and evil, also to conclude a scene); Chempa music (depict tension, dispute, disagreement between lovers or competing ideas); Panchari (for odious, preparatory such as sharpening a sword); Triputa (thought-provoking, scenes involving sages and teachers); Adantha (scenes involving kings or divine beings); Muri Adantha musical style (for comic, light-hearted, or fast-moving scenes involving heroic or anger-driven activity). [42], Yellow is the code for monks, mendicants, and women. [51] Thodayam is performed behind a curtain and without all the costumes, while Purappadu is performed without the curtain and in full costumes. This elaborate art form integrates dance, music, poetry and histrionics. If such were the conditions in which Kathakali emerged as an art form, it is more than obvious to ask whether such oppositions still exist. Kathakali is a highly stylized classical Indian dance drama which originated in Kerala. Even the great Kathakali dancer Mahakavi Vallathol Narayana Menon founded Kerala Kala Mandalam, who trained to the many disciples. With the use of elaborate make-up and costume, the dance mainly seeks to re-tell stories of Hindu mythology. As the play progressed, the actor-dancers would gather around this lamp so that the audience could see what they are expressing. Both deploy a host of similar traditional Indian musical instruments. [30] These Attakatha texts grant considerable flexibility to the actors to improvise. [20], According to Farley Richmond and other scholars, Kathakali shares many elements such as costumes with ancient Indian performance arts such as Kutiyattam (classical Sanskrit drama) and medieval era Krishnanattam, even though a detailed examination shows differences. [83][84], Full costume of kathakalī (artist: Sri Sadanam Krishnankutty). The history of their origins dates back to the period of Perumals i.e. [8], The term Kathakalī is derived from Katha (Sanskrit: "कथा") which means "story or a conversation, or a traditional tale", and Kalī (from Kalā, "कला") which means "performance and art". Koothu, Koodiyattam, Patakam, Ashtapadiyattam, Krishnattam, Thullal, Mohiniattam and Kathankali are the most popular Classical Dances of Kerala. Kathakali is thought to have originated from pioneer dance-drama forms - Ramanattam and Krishnanattam. [10][34][35] It typically takes several evening hours to prepare a Kathakali troupe to get ready for a play. [3], Several ancient Sanskrit texts such as Natya Shastra and Hastha Lakshanadeepika discuss hand gestures or mudras. History of Kathakali Dance. [69] The guru provided both the theoretical and practical training to the student, and the disciple would accompany the guru to formal performances. They play is mostly based on the two epics 'Ramayana' and 'Mahabharata'. [49] The theory behind the Navarasas is provided by classical Sanskrit texts such as Natya Shastra, but sometimes with different names, and these are found in other classical Indian dances as well. Kathakali follows the Hastha Lakshanadeepika most closely, unlike other classical dances of India. [42] Vella Thadi (white beard) represents a divine being, someone with virtuous inner state and consciousness such as Hanuman. [11][12][16] Dance and performance arts, states this ancient Hindu text,[17] are a form of expression of spiritual ideas, virtues and the essence of scriptures. [9][74] Kathak traditionally has included female actor-dancers, unlike Kathakali which has traditionally been performed by an all-male troupe. Know the History of Kathakali Dance: Over 2000 years back, Muni Bharata wrote the Natya Shastra (The Science of Acting), which turned into the academic standard for classical dance, theatre, music, get-ups, make up and the visual arts of India. [21] Kutiyattam, adds Richmond, is "one of the oldest continuously performed theatre forms in India, and it may well be the oldest surviving art form of the ancient world". If such were the conditions in which Kathakali emerged as an art form, it is more than obvious to ask whether such oppositions still exist. [2][3][5])India, Kathakalī's roots are unclear. Classical Dances of Kerala are popular throughout the world for their grace and richness. Kalyanasougandhikamis a story known for its unique blend of elements that highlight the classicism of Kathakali. [7] The vocal performance has traditionally been performed in Sanskritised Malayalam. Kathakali is typically structured around ‘Attakatha’ meaning the story of attam or dance. There are 24 types of mudra’s those are used for choreograph a song or theme. A unit of movement of the dance portion of Kathakali are known as kalsams . Media related to Kathakali at Wikimedia Commons, Links to older performance arts: Kutiyattam and Krishnanattam. [54], Music is central to a Kathakali performance. [70] Per ancient Indian tradition, young students continue to start their year by giving symbolic gifts to the guru, such as a few coins with betel leaves, while the teacher gives the student a loincloth, a welcome and blessings. [33] Traditionally, before the advent of electricity, this special large lamp provided light during the night. History. The classification is based upon the rhythm and meter of the songs; and the costume, adornments and dance. [36][37] Costumes have made Kathakali's popularity extend beyond adults, with children absorbed by the colors, makeup, light and sound of the performance. [65] It is traditionally attributed to Nalanunni, under the patronage of Utram Tirunal Maharaja (1815-1861). [79][80], Kabuki, another Japanese art form, has similarities to Kathakali. Origin and History. [19] The roots of Kathakalī, states Mahinder Singh, are more ancient and some 1500 years old. [42] Face masks and headgear is added to accentuate the inner nature of the characters. [41] Teppu is for special characters found in Hindu mythologies, such as Garuda, Jatayu and Hamsa who act as messengers or carriers, but do not fit the other categories. History of Kathakali. [3][5], There are 24 main mudras, and numerous more minor ones in Kathakali. Thullal is a solo dance exposition of Kerala. Katha means story. Ignoring the first phase when it was "Ramanattam", Kathakali had its cradle in Vettathunadu.Here Vettathu Thampuran, Kottayathu Thampuran (This Kottayam is in Malabar) and many dedicated artists like Chathu Panicker laid foundations for what is known as Kathakali now. Even the great Kathakali dancer Mahakavi Vallathol Narayana Menon founded Kerala Kala Mandalam, who trained to the many disciples. [59] Modern productions have extracted parts of these legendary plays, to be typically performed within 3 to 4 hours. It has its origins in the 2000-year-old classical dance form of Kuttiyatam that used to be performed in temples. It originated in the Southern Indian state of Kerala during the late 16th century, approximately between 1555 to 1605 AD. [63][64] It is traditionally attributed to Unniri Panikkar, in a Brahmin household (~1850), and became the dominant style established in Kerala Kalamandalam – a school of performance arts. The emphasis that Kathakali lays on the movement of the facial muscles like the eye-brows, the eye-balls and the lower eyelids cannot be seen in any of the other classical dances. It is presumed that the first complete version of the text was completed between 200 BCE to 200 CE, but some sources mention the timeframe to be around 500 BCE and 500 CE. കഥകളി Do you know the story behind Kathakali.If you need more information pls contact 00919846695049 - Duration: 4:16. Subscribe to Free E-Magazine on Art & Culture. History of Kathakali: of art, agency, and aesthetics 16 Safwan Amir moves through a linear history of Kathakali, dealing with its in- ception, influences, patronage and participation. [70] A typical course work in Kathakali emphasizes physical conditioning and daily exercises,[71] yoga and body massage to tone the muscles and sculpt the growing body,[72] along with studies and dance practice. The history of Kathakali’s evolution shows how the vocal element has shifted from the actors to individual singers to make the acting and physical movements effortless. [3] In parallel, vocalists in the background sing rhythmically the play, matching the beats of the orchestra playing, thus unifying the ensemble into a resonant oneness. much earlier to the introduction of Raamanaattam. Kathakali is also indebted to the early martial arts of Kerala. [57] The Nala-Damayanti story has roots in the texts of 1st millennium BCE and is found in the Mahabharata, but the Kathakali play version develops the characters, their inner states, the emotions and their circumstances far more than the older texts. They play is mostly based on the two epics 'Ramayana' and 'Mahabharata'. All the movements are set to a given time cycle known as the tala . ‘Attakatha’ are plays that were historically derived from Hindu epics like ‘Bhagavata Purans’, ‘Mahabharata’ and ‘Ramayana’ which were written in certain format that allows one to determine the dialogue portions that is the Pada part and the action portions that is the Shloka part of the performance. It has been described as a true representation of the artistic traditions of India and one of the most magnificent theatres of … History & Evolution. Kathakali is very different from other classical dance forms. [2][3][5] Kathakalī also differs in that the structure and details of its art form developed in the courts and theatres of Hindu principalities, unlike other classical Indian dances which primarily developed in Hindu temples and monastic schools. Their history as Kathak dancers have been erased in modern India Pallabi Chakravorty. Karma dance of Madhya Pradesh is a traditional folk dance. Vallathol (in recorded history) and Kathakali’s autonomy are, then, obtained through this connection with art, art as being susceptible to aesthetics alone. History of Kathakali. In both traditions, the performance happens in the front of a huge Kalivilakku with its thick wick sunk in coconut oil, burning with a yellow light. [3][58] In historic practice of a play performance, each Padam was enacted twice by the actor while the vocalists sang the lines repeatedly as the actor-dancer played his role out. The nine Navarasas express nine Bhava (emotions) in Kathakali as follows: Sringara expresses Rati (love, pleasure, delight), Hasya expresses Hasa (comic, laugh, mocking), Karuna expresses Shoka (pathetic, sad), Raudra expresses Krodha (anger, fury), Vira expresses Utsaha (vigor, enthusiasm, heroic), Bhayanaka expresses Bhaya (fear, concern, worry), Bibhatsa expresses Jugupsa (disgust, repulsive), Adbhuta expresses Vismaya (wondrous, marvel, curious) and Shanta expresses Sama (peace, tranquility). Kathakali is a form of Indian dance-drama. Kathakali w… [2][6], The traditional themes of the Kathakalī are folk mythologies, religious legends and spiritual ideas from the Hindu epics and the Puranas. The centre describes the early history of Kathakali: “Elements of the art of Kathakali are found in the ancient ritual plays of Hindu temples and various dance forms that are believed to have been gradually developed in Kerala from as early as the 2nd Century until the end of the 16th Century. For an Indian dancer, costume is almost as crucial as the dance itself to achieving a great performance. [69], A typical Kathakalī training centre auditions for students, examining health and physical fitness necessary for the aerobic and active stage performance, the body flexibility, sense of rhythm and an interview to gauge how sincere the student is in performance arts. The themes of the Kathakali are religious in nature. [51], The expressive part of the performance, which constitutes the dance-drama, is split into four types: Kalasham (major and most common), Iratti (special, used with battles-related Chempata rhythm), Thonkaram (similar to Iratti but different music), and Nalamiratti (used for exits or link between the chapters of the play). Kathak uses the stage space more, and does not typically include separate vocalists. The central Kerala temple town of Tripunithura has a ladies' troupe (with members belonging to several parts of the state) who perform Kathakali, by and large in Travancore. Click Here for kathak Dance Class Schedule & Fee at PAIPA. History of Kathakali Kathakali o… Popular belief is that Kathakali is emerged from "Krishananattam", the dance drama on the life and activities of Lord Krishna created by the Zamorin of Calicut. [70], Kathakalī is still hugely male-dominated, but since the 1970s, women have made entry into the art form on a recognisable scale. Kathakali is one of the oldest theatre forms in the world. However, Kathakali differs in that it also incorporates movements from ancient Indian martial arts and athletic traditions of South India. [45] These three Guṇas are sattva (goodness, constructive, harmonious, virtuous), rajas (passion, aimless action, dynamic, egoistic), and tamas (darkness, destructive, chaotic, viciousness). [3][75] Kathak deploys much simpler costumes, makeup and no face masks. [28] One item, called a Kalivilakku (kali meaning dance; vilakku meaning lamp), can be traced back to Kutiyattam. Kathakali is a traditional, classical dance hailing from the South Indian state of Kerala. Brief History of Kathakali Brief History of Kathakali is that it is one of the major forms of classical Indian dance, and It is another “story play” genre of art. [8][62], Kathakalī has lineages or distinctive schools of play interpretation and dance performance called Sampradayam. Kathakali is the most well known dance drama from the south Indian state of Kerala. It is said to be one of the most difficult styles to execute on stage, with young artists preparing for their roles for several years before they get a chance to do it on stage. Historically, all these plays were derived from Hindu texts such as the Ramayana, the Mahabharata and the Bhagavata Purana. [3][30] The Pada part contains the dialogue part. [63] By the 19th-century, many such styles were in vogue in Malayalam speaking communities of South India, of which two major styles have crystallized and survived into the modern age. [24], Kathakalī is structured around plays called Attakatha (literally, "enacted story"[3]), written in Sanskritized Malayalam. Minukka (radiant, shining) with a warm yellow, orange or saffron typifies noble, virtuous feminine characters such as Sita, Panchali and Mohini. Kathakali has a unique combination of literature, music, painting, acting and dance. There are many points that should be focus. The garments colours have a similar community accepted code of silent communication. However, others such as the Prahlada Charitham have been composed so that they can be performed within four hours. Some characters have a green face (representing heroic or excellence as a warrior) with red dots or lines on their cheeks or red-coloured moustache or red-streaked beard (representing evil inner nature), while others have a full face and beard coloured red, the latter implying excessively evil characters. Elements and aspects of Kathakalī can be found in ancient Sanskrit texts such as the Natya Shastra. These developed in part because of the Gurukul system of its transmission from one generation to the next. [28] Traditionally, a Kathakali performance is long, starting at dusk and continuing through dawn, with interludes and breaks for the performers and audience. [26][27][28] The south Indian martial art of Kalarippayattu has also influenced Kathakali. [81][82] Jīngjù, a Chinese art of dance-acting (zuo), like Kathakali presents artists with elaborate masks, costumes and colorfully painted faces. In Kerela there existed an ancient form of drama known as Chakya Kottu which was very popular at the time. History & Culture ; Published 20th January, 2021 ; Context ‘Kalyanasougandhikam’ brought alive the blend of elements unique to a Kathakali play. These two forms of dance, along with Kathakali, dealt with presentation of the stories of Hindu Gods Rama and Krishna. Kathakali is very different from other classical dance forms. [10][49] There are nine facial expressions called Navarasas, which each actor masters through facial muscle control during his education, in order to express the emotional state of the character in the play. Kathakali is based on religious themes. [30] The Sloka part is the metrical verse, written in third person – often entirely in Sanskrit - describing the action part of the choreography. [3] Some plays continued over several nights, starting at dusk everyday. History. 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